World Spirituality and Mysticism

An Ancient Tool for Meditation:
The Sacred Labyrinth

 

Labyrinths have been around for over 2000 years and are found
in just about every major religious tradition in the world. They
have been an integral part of many cultures such as Native
American, Greek, Celtic and Mayan. The Hopi called the labyrinth
the symbol for "mother earth" and equated it with the Kiva.
Like Stonehinge and the pyramids, they are magical
geometric forms that define sacred space.

During the crusades, they were used to symbolically represent
the pilgrimage to the Holy Land. Today, labyrinths are
being used for reflection, meditation, prayer and comfort.
They are found in many sizes and shapes, and are created
in sand, cornmeal, flour, painted on canvas, fashioned with
masking tape or string for a temporary design, or built in a
permanent fashion from stones, cut into turf, formed by mounds
of earth, made from vegetation, or any other natural material.

There are three basic designs -- seven circuit, eleven circuit,
and twelve circuit. The most common design found around the
country today is the seven circuit. These seven circuit designs
were found on pottery from over 2000 years ago. Notre Dame
Cathedral in Chartres, France is a very famous example of
an eleven circuit design. Another more recent examples can be
found at Grace Cathedral in San Francisco and Christ the
King Lutheran Church in Torrence, Georgia. The twelve circuit,
or Maltese design, octagonal in shape, can be found at
Amiens Cathedral in France. The size of the design can range
from a small design on a stone to over 40 feet in diameter.

Many people make the mistake of thinking a labyrinth and a maze are the same. A maze has dead ends and many trick turns. A labyrinth has only one path leading to the center and back out again. There are no dead ends.

When you walk a labyrinth, you meander back and forth, turning
180 degrees each time you enter a different circuit. As you shift
your direction you also shift your awareness from right brain to left brain. 
This is one of the reasons the labyrinth can induce receptive states of 
consciousness. It can also help to balance the chakras.

Each person's walk is a personal experience. How one walks and what one receives 
differs with each walk. Some people use the walk for clearing
the mind and centering. Others enter with a question or concern. The time in the 
center can be used for receiving, reflecting, meditating, or praying,
as well as discovering our own sacred inner space. What each person
receives can be integrated on the walk out. Your walk can be
a healing and sometimes very profound experience or it can be
just a pleasant walk. Each time is different.

Labyrinths are truly sacred places. The design itself is inherently powerful.
The space and the experience of walking it are also very sacred and
powerful and help us feel a greater sense of Oneness. It is a tool for
people of all beliefs to come together for a common spiritual experience

 

thanks to whoever mailed me this article - i would like to thank the original author, if possible.


Chinmaya
Spiritual Revival
The Fourth Way - Higher States of Consciousness
Indian Mysticism
New Age Spiritualism
World Religious and Mysticism
Meditaton and Spiritual Unfoldment
Transcendental Meditation
Meditative Peace
Visualization and Inspirations
Inspirational Messages


Crystals and Healing
Shamanistic Healing
Hindu Spiritual Leaders
Daily Meditations
Kaballa - Book of Muses, Koran, Vedas
Voodoo
Research and Enlightenment
Judaic Art
The Egyptian Book of the Dead
Greek MythologyPersonal Healing
New Age Art and Music

Trinity Knot

 

Solar Wheel

The Celts

Wheel of Being

The Celtic Wheel of Life - the Celtic calendar.  The Wheel of Life
symbolizes the rays of the Sun and it's sense of motion mirrors its
journey in the sky. To Iron Age Celts, the spoked, solar wheel is
associated with Taranis, the Celtic god of thunder.

Failte! The next festival is the Summer Solstice, also referred to as Litha or Midsummer's Day. It takes place on June 21 and marks the shortest, brightest night of the year. Midsummer's Day was traditionally celebrated out in the forest and involved masquerades, picnics, games, and, a bonfire to cut the chill.

The Celts honored a god that provides structure and meaning to life, and a goddess who provides power and life itself, their specific names and attributes varying from tribe to tribe.   The Druidic universe was patterned as Four Powers or Elements unified by a fifth – Balance.


Ancient Mystic Doctrines, and poetry

Ancient Mystic Doctrines Of Egypt

Cosmic Consciousness

Encyclopedia Mystica

Godfriends

House of Breathings

Mystical Illustrations of Syaikh Ahmad al-Qusyasyi

Mystical Poetry of Jellaludin Rumi and Coleman Barks

Mysticism in World Religion

Occult and Mysticism

Path of Transformation

Spiritual Potpourri

Runological Society

Science Without Bounds
From Primitives to Zen
Wayfarer's Rest
The Rosicrucians
Spirit of the Wolf
Allspirit

Affirmational Gifts for the Spiritual Adventurer

Regional Folklore and Mythology

Encyclopedia Mythica: Other Mythologies

Jewish Spirituality & Kabbalah

Wizards' Realm

Hinduism Today

John Coltrane,- Spirituality

Kabbalah and Mysticism Reading List

Institute for World Spirituality


Celtic Wheel of the Year  


The Celts measured the Solar year on a wheel, circle or spiral, all of which symbolize creation and the constant movement of the universe – growth and development. To the ancients, the heavens appeared to wheel overhead, turning on an axis which points to the north polar stars. The Celtic Nations consisted of: Alba (Scotland), Breizh (Brittany), Cymru (Wales), Eiru (Ireland), Kernow (Cornwall), Mannin (Isle of Man) and Galiza.

This Sun-wise, clockwise, or deiseal (Gaelic), motion of the wheel, with seemingly no beginning or end, signified that as one cycle ended another began in an eternal cycle. The spiral's never-ending, always expanding, motion also symbolized the ever-increasing nature of information and knowledge. Many of these symbols often also appeared in triplicate, a sign of the Divine.

In addition, the seasons of the year were thought to be part of this cycle. In Gaelic, the names of the four seasons date back to pre-Christian times: 1) Earrach for "Spring," 2) Samhradh for "Summer," 3) Foghara for "Harvest" which refers to Autumn, and 4) Geamhradh for "Winter." (Ross, 1976)

The Celtic Wheel has two main fire festivals for purification and good fortune: Samhain and Beltane – the beginning of Winter and the beginning of Summer. To the Celts, mostly a pastoral culture, the year actually had two seasons instead of four. Subtler divisions of the year concerned crop-raisers rather than cattle-raisers, which includes two additional fire festivals: Imbolc, and Lammas. We know that the Celts were aware of, but did not necessarily celebrate four additional festivals: Winter Solstice, Vernal Equinox, Summer Solstice, and Autumnal Equinox. This article attempts to briefly explain how ancient Celtic cultural groups celebrated the festivals of the year and compare those customs to how modern Christian and Pagan groups celebrate those same festivals. Some contemporary Druid and many Wiccan groups celebrate all eight festivals, but many Celtic Reconstructionist (CR) groups celebrate only the four main feasts. The Christian tradition has retained some influences from these ancient festivals as well, transferring the identities of many figures from deities to saints. For an overview of the Wheel cycle as part of the deities of the Celts, see the: Celtic Deity FAQ.)

SAMHAIN
(pronounced "Sow-wen," or in Scots-Gaelic, "Sha-vin")

After the last apples are picked, the Celtic year began again with its dark winter half when the Earth rested and fertility was renewed. Also called Samhiunn or Hallowe'en, this festival is also called Trinoux Samonia or "Three Nights of the End of Summer." It is celebrated on the eve of November 1 (October 31). Technically, either date is appropriate as the Celts measured the day from sunset to sunset. In the Celtic tale The Wasting Sickness of Cuchulainn, Samhain is celebrated for a total of seven days – three days before, the day of, and three days after.

Samhain was a time when spirits could mix freely with humans, when the veil of the Otherworld was thin. This suspension of time extended to the laws of society, so that all kinds of boisterous behavior could be indulged. At the end of the festval, several beasts were sacrificed whose life-energy replenished the dormant soil. In origin, Samhain was a pastoral festival, held to assist the tribe's fertility, to placate the dead and evil forces, to please the Gods (and later the Saints who replaced them) and as a clear distinction between the joys of Harvest and the hardships of the approaching Winter.

The assemblies of the five Irish provinces at Tara Hill, the seat of the Irish king, took place at Samhain, marked by horse races, fairs, markets, pastoral assembly rites, political discussions and ritual mourning for the passage of Summer. In the Christian tradition, these two dates are celebrated as All Souls' Day and All Saints Day.

Rituals

  • In the Scottish Highlands, many crofts had their own bonfire, or samhnag, but one house was usually a popular gathering place. In early Celtic tradition, Samhain was closely associated with burial mounds, or cairns, which were believed to be entrances to the Otherworld.

    In Fortingall (in Perthshire), a samhnag was built on a mound known as Carn nam Marbh, "The Mound of the Dead." (Ross, 1976) Local lore has it that the mound contained the bodies of plague victims and is actually a Bronze Age tumulus. A stone, known as the Clach a' Phaigh, "the Plague Stone," crowned the mound. Once the bonfire was lit, the participants would join hands and dance around it, both Sun-wise and anti-Sun-wise. As the blaze waned, the younger attendants would take part in leaping games over the flame. No guisers appeared in this particular tradition, the bonfire was the sole center of attention.
  • In the Highlands, after Sunset many of the youth carried a blazing torch and circuited the boundaries of their farms in order to protect the family from the Faeries and malevolent forces. New fire, kindled from the sacred communal blaze, was then brought into each house. Like the Beltain fire, the Samhain bonfire was most likely made from tein-eigin, or need-fire, fire made from the friction of two pieces of wood. (Ross, 1976)

WINTER SOLSTICE

The Winter Solstice also is referred to as Yule, Mabon, Jul, Saturnalia, and even Christmas. This feast takes place on or about December 21 and marks the longest, darkest night of the year. To many ancient European groups, this was a festival of peace and a celebration of waxing solar light. While little is known about how the Celts celebrated this event, some contemporary groups honor the forthcoming Sun child by burning an oaken Yule log; the Goddess in her many Mother aspects; and the Father God as Santa Claus in his Old Sky God, Father Time, and Holly King forms. To the Celts, Winter symbolized the time in the womb – a deep rejuvinative sleep or a necessary pathway to rebirth, rather than nature's death. It is not known if the Celts celebrated this time in these ways, but it is assumed they were aware of celestial time.

Because there is disagreement as to the exact birthdate of Jesus Christ, some believe the Church assigned it to this time, a date already sacred to the Ancients. Christians celebrate Jesus' birth on December 25.

As the foundation for the American Groundhog Day, Brigid's snake came of its mound in which it hibernated and its behavior was said to determine the length of the remaining Winter. The Welsh came to associate this feast with the Virgin Mary, calling it Gwyl Mair Dechrau'r, "The Feast of Mary of the Beginning of Spring."

An ancient Irish story tells of how on the eve of this day, the Cailleach, or White Lady, drinks from the ancient Well of Youth at dawn. Many Wiccans believe that she is then transformed into her Maiden aspect. Wells were considered to be sacred because they arose from oimbelc (literally "in the belly") or womb of Mother Earth.

VERNAL EQUINOX

The Vernal, or Spring, Equinox takes place on or about March 21. An equinox refers to the time of the year when the sun crosses the plane of the Earth's Equator, making night and day equal length all over the planet. Crops were typically sown at this time, a time of transition. While we do not know how the Celts observed this event, it is known that times of transition, or in-between times, were considered sacred in Celtic culture.

BELTANE
(pronounced Bee-YAWL-tinnuh)
Beltane, one of two Celtic fire festivals, is a celebration of the return of life and fertility to the world which takes place on April 30. It is sometimes referred to as Cetsamhain which means "opposite Samhain." In the Celtic countries the festival was known by other names, such as Cétshamain in Ireland, Bealtuinn in Scotland, Boaldyn on the Isle of Man, Cyntefin, Dydd, Calan Mai in Wales, Cala Me in Cornwall and Kala-Hanv in Brittany.

The word "Beltaine" literally means "bright" or "brilliant fire," and refers to the bonfire lit by a presiding Druid in honor of the proto-Celtic god variously known as Bel, Beli, Balar, Balor or Belenus. Bel, the god of light, fire and healing, had Sun-like qualities, but was not purely a Sun god as the Celts were not specifically Sun worshippers.

In Irish mythology, the great undertakings of theTuatha Dé Danann and the Milesians – the original supernatural inhabitants of Eiru and their human conquerors, respectively – began at Beltane. The Milesians were led by Amairgen, son of Mil, in folklore reputed to be the first Druid.

Other beliefs tell of the Summer God being released from captivity (an echo of the freeing of the child Mabon from the Mabinogion tale Culhwch and Olwen), or the Summer Maiden wooed away from her Earth-giant father. The Hawthorne tree represents the giant and sometimes this wood is used for the Maypole, a custom with Germanic origins

Rituals

  • Two bonfires were kindled by a presiding Druid most likely from tein-eigin, fire made from the friction of two pieces of sacred wood, most likely an Oak-plank. The Druids, the powerful Pagan Celtic priests, would drive the cattle between these two fires to protect them from disease, ensuring a high milk yield. In some traditions, this fire may have originally symbolized the sacrifice of the Oak-god.
  • In ancient Ireland, no one could light a Bel-fire until the Ard Ri, or High King, had lit the first on Tara Hill. In 433 A.D., St. Patrick showed his deep understanding of this festival's symbolism when he lit a fire on Slane Hill, ten miles from Tara, before the High King Laoghaire lit his. He could not have made a stronger usurpation of the people's faith. St. David made a similar gesture in Wales in the following century.
  • Sometimes, a procession was made around the fields with a burning torch of wood in order to obtain a blessing on the corn.
  • On this day, all hearth-fires were extinguished to be rekindled from this sacred fire.
  • A Celtic as well as Germanic tradition is that of the King & Queen of May. The May couple, going by various names and clad in green leaves or flowers, represented the "anthropomorphic spirit of vegetation." (Frazier, 1993) One telling explains that the Queen would ride in on a white horse and the King on a black one. The Goddess on a white horse has a powerful association in Celtic mythology. When Niamh of the Golden Hair came to take Oissin away to the Land of Promise, it is upon a white steed that she rode. Rhian Gabhra, or Rhiannon of the Gaels, rides a white mare in the Otherworldly realms. In both Welsh and Irish traditions the white mare is representative of the Goddess in the Otherworld.
  • The ancients would also then go and make love on the ground, prompting the crops to be fertile. Frazier in The Golden Bough, quotes puritanical writer Phillip Stubbes in his Anatomie of Abuses (1583) who comments: "Against May, Whitsonday, or other time, all the yung men and maides, olde men and wives, run gadding over night to the woods, groves, hils, and mountains where they spend all the night in plesant pastimes. .
  • Another, similar rite that took place at Beltane is called the "bringing the May." (Frazier, 1993) The youth would go out into the fields and collect flowers. They would often spend the night in the wood, which resulted in many "greenwood marriages," or "handfastings." In the village, they would stop at each home and exchange the flowers for food and drink. Thus, they became the harbingers of the renewal of the Earth. This rite also represented the need of the communal tribe or clan to share their belongings, sustaining the entire population as a result.
  • In Cornwall on May Eve people would tear branches from hawthorn and sycamore trees and decorate the outside of their homes. The hawthorn, or whitethorn, is the tree of hope, pleasure and protection. (Frazier, 1993)
  • Another custom would be to jump over the fire. Young people jumped the fire for luck in finding a spouse, sojourners jumped the fire to ensure a safe journey, and pregnant women jumped the fire to assure an easy delivery.
  • On May 1, the entire tribe, village or clan would lead the cattle to the Summer buailte (pronounced "booa-ltuh") or pastures until Samhain.

SUMMER SOLSTICE

This festival also is referred to as Litha or Midsummer's Day and takes place on June 21 and marks the shortest, brightest night of the year. Midsummer's Day was traditionally celebrated out in the forest and involved masquerades, picnics, games, and, at night, a bonfire to cut the chill.

LUGHNASAD

In Celtic culture, Lughnasad ("Loo-nahs-ah") is the feast of the god Lugh and the subsequent names for this festival include Lúnasdal (Scots Gaidhlig), and Laa Luanistyn (Manx). (MacKillop, 1998) This feast also is known as Lammas, from the Saxon word Hlaf-mass, the Feast of Bread.

Celebrated on August 1, Lughnasad was sometimes referred to as the nasad, or games, of Lugh, son of Ethle in the Scottish Highlands. An early Irish tradition has it that Lugh established the festival in honor of his foster-mother Tailtiu, a close relationship in the Celtic custom. In Ireland, Lugh also is referred to as Lugh of the Long Hand. An Irish myth tells of the greedy Fomorian Earth-spirits that must be persuaded to relinquish the fruits of the soil to humans. In some Wiccan and folk traditions, the "Corn King" dies, to be later reborn, so that the tribe may go into the winter months with sustenance plenty.

Rituals

  • English folk tradition, a mix of Celtic and Germanic influences, tells of farmers cutting down the first stalks of corn with sickles and calling these stalks John Barleycorn. This first grain is used to produce the first beer of the season, for consumption at the Autumnal Equinox six weeks later.
  • In Wicca, the Horned One is thought to be the consort of the Earth Goddess. (See Beltane explanation.)
  • Some harvest festivals usually included a Stag Dance in which men wore antlers on their heads.

AUTUMNAL EQUINOX

Also is called Harvesthome, this feast takes place on September 21 and marks the last harvest before Winter claims the Earth. As with the Vernal Equinox, day and night are of equal length across the planet.

Some Wiccan and folk traditions see this time of year as the Waning of the Goddess. From the Summer to the Winter Solstice they may hold festivals for the God.

Activism
world Culture

Civil Rights

table of contents
feedback
mary's guestbook
  

ia arts and music